Examining the “Cultural Artefacts”
in Anderson’s Imagined Communities: Reflections on the Origin and Spread of
Nationalism
The concepts such as nation, nationalism
and nation-ness which Benedict Anderson terms as the ‘cultural artefacts’ undergo
a critical and historical investigation in his well known book Imagined Communities: Reflections on the Origin and
Spread of Nationalism. The book was originally titled as Imagined
Communities and got published in 1983 and got reissued with new chapters
and further revised in 1991 and 2006 respectively. Anderson arrived at his
theory of ‘imagined communities’ since he felt that neither Marxism nor liberal
theory could explain nationalism and believes
that a nation is a community socially constructed, and imagined by the people who perceive themselves
as part of that group.
Anderson is an Irish political scientist and, as Encyclopedia Britannica informs,
his family heritage crosses national lines (Munro). He was born in China since
his father was designated as a custom commissioner in the Imperial Martime
Customs. He had to immigrate to the United States in 1941 and pursued his
higher education. His early writings, including his doctoral dissertation,
focused on Indonesian politics. He criticized Suharto regime which, though
imparted uninterrupted rule in Indonesia, became authoritarian regime and fell
into internal corruption and economic fall. He was barred from entering the
country until after the dictator’s fall in 1998. The Spectre of Comparisons: Nationalism,
Southeast Asia, and the World (1998), Language and Power: Exploring
Political Cultures in Indonesia (2006),
and Under Three Flags: Anarchism
and the Anti-Colonial Imagination(2007). He published extensively
on Indonesian culture and politics are his noteworthy writings. The publication
of his Imagined Communities: Reflections on the Origin and Spread of
Nationalism established Anderson as one of the foremost thinkers on nationalism.
The
chapter titled “Imagined Communities: Nationalism’s Cultural Roots” provides an
account of history of emergence of the concept of nation and nationalism. The
concept was alien for the people of ancient time. Ernest Renan in his speech
titled “What is a Nation?” delivered in Sorbonne in 1882, describes the process
of evolution of nation from ancient time where there was no any concept called
nation in the sense we use it today. They were unknown to the antiquity (Renan) . Anderson inquires
into see why is it people have so much commitment to and passion for an
institution like nation which is an abstract and dispersed form of community. He
states that if one traces the history, it could be observed that people were
there who could die for their respective religion. But when it comes to the
case of nationalism they could not only die for their nation but are also much
concerned about their co-nationals.
The
reason for the emergence of nationalism, according to him, can be derived from
the cultural history of nationalism which he traces back to the encounter
between capitalism, printing technology and the diversity of national languages
over space. From this historical investigation Anderson concludes that when
these three join it becomes possible for large communities, peopled by
individuals who had no personal or historical or even filiative relation to one
another to imagine themselves as ‘fraternally’ joined. For him nationalism developed as a form of
monoculturalism.
It is
said that since World War II every successful revolution has defined itself in
national terms and thus grounded itself firmly in a territorial and social
space inherited from the prerevolutionary past. It has now become a matter of
great dispute to define and provide explanations to these concepts; Nation,
nationality, nationalism. There were scholars engaged in discussing the idea of
nation who tend to glorify it. For him nation is like a soul, a spiritual principle
and the past and the present constitutes this soul. “One is the possession in
common of a rich legacy of memories; the other is present consent, the desire
to live together, the desire to continue to invest in the heritage that we have
jointly received”. He further proposes that the nation like the individual is
the outcome of a long past of efforts, sacrifices, and devotions. For him it is
the heroic past with great men and glory is the social capital upon which the
national idea rests. (Renan) .
Though
a great account of influence of nationalism on modern world can be found there
is no theory on nationalism is found. Marxist theory as well has failed to
explain the concept and it is said that nationalism has proved an uncomfortable
anomaly for Marxist theory and has been omitted rather than confronting
it. It is said that there is a need for
a deeper theoretical understanding of the concepts since both Marxist and
liberal theory have become etiolated and a new reorientation of perspective is
required. Thus, Anderson tries to explain nation, nationalism and nation-ness
which he likes to call as the ‘cultural artifacts’ of a particular kind. In
this particular book he looks at how they have come into historical being, in
what way their meanings have changed over time and why, today, they have
attained such profound emotional legitimacy. He tries to argue that the
creation of these cultural artifacts towards the end of the eighteenth century
is the result of complex ‘crossing’ of discreet historical forces but once they
were created they attained a status in which it could accommodate with varying
degrees of self-consciousness and variety of social terrains and also to get
merged with or merge with varieties of ideological and political bunches.
Anderson
introduces three paradoxical statements regarding the concept of nation as he
finds it necessary to go deep into the concept and thereby states that unlike
most other isms, nationalism never produced its own grand thinkers. Therefore,
a discreet analysis of the concept and understanding becomes necessary and for
which he evolves a description as follows. Nation “is an imagined political
community – and imagined as both inherently limited and sovereign”. He explains
that nation is ‘imagined’ because the members of even the smallest nation will
never know most of their fellow members, they will not have any personal
communication with each other but yet in their mind each of them lives the
image of their communion. Each community larger than primordial villages are
imagined and they must be distinguished by the style in which they are
imagined.
Nation
is imagined as limited because even the largest of them, containing a billion
people may be, has finite boundaries and beyond which other nations lie.
Therefore the nationalists do not dream of extension of its boundaries as it
was possible for a religious community. Renan states that since Europe’s
division into nations the attempt to exercise hegemony over the other has never
been a long lasting one. It is not possible or in the future to establish a new
empires like Roman or Charlemagnian. There is no more any chance to attain any
universal domination since a new sort of equilibrium has been established (Renan) . In an interview
with Anderson that was conducted by Cynthia Foo, he claims that “[t]he whole
idea of the nation is that it survives with other nations. It’s impossible to
have only one nation in the world, so that the idea of only one nation is
something odd. I think there are better things like sport contests, cultural
exhibitions, which on the one hand, one could say, “Look what we can do,” and
at the same time say, “Well, we’re going to show it to the world and we expect
to see what the world has to say,” but on the condition that it means we also
accept visits” (Foo) .
Anderson
states that nation is sovereign because it originated when Enlightenment and
Revolution were destroying the legitimacy of divinely ordained, hierarchical
dynastical realm. The period is considered as the most mature period in the
human history where even the strong advocators of religion cannot deny the living
pluralism of its followers’ ontological claims and territorial stretch. The
nations, in these circumstances, dreamed of being free and thus this freedom
can be said as the feature of its sovereignty. Nation is, however, claimed as
community because regardless of the actual inequality and exploitation that may
be found in it, nation is always conceived as a “deep, horizontal comradeship”.
The 20th century is unprecedented in the number of people who lay down their
lives for their nations. Death serves also to symbolize eternal continuity for
a nation.
Renan opines that a nation is a great solidarity constituted by the
feeling of sacrifices made and those that one is still disposed to make (Renan) . Frantz fanon, while
describing the consciousness of the native in his Wretched of the Earth
states that during decolonization the native loses his individualism and comes
across a different vocabulary consisting terms such as brother, sister, friend
that will change the attitude of the native and the interest of one native will
be discovered by the troops as everyone; either as everyone saved or everyone
massacred (Fanon 47). The phenomenon of decolonization, and thereby a creation
of a new nation, always associated violence and this definitely makes use of or
is under the spell of the imagined communion among the people. Anderson states that “ultimately it is this
fraternity that makes it possible, over the past two centuries, for so many
millions of people, not so much to kill, as willingly to die for such limited
imaginings” (257). The death in the name of nationalism is itself the problem
to be enquired for which Anderson says the answer lies in the cultural roots of
nationalism.
Anderson
then engages in discussing how one of the earlier forms of capitalist
enterprises, book- publishing became a commodity and on the process became one
of the reasons for the emergence of national consciousness. By and after 1500
there occurred a surge of print publications and the print publishers began
establishing ‘international’ publishing houses. The print publishers became the
largest capitalist concerned only to make profit since the years 1500 and 1550
and the literate Europe, especially the Latin-readers, became its first market.
But as soon as Latin language became less used and read, this capitalist
enterprise began to promote publications in vernacular languages.
The
impact of Reformation is said as the second reason for the emergence of nationalism
success of which was largely owed to print-capitalism. Protestantism made use
of the expanding vernacular print market being created by capitalism while the
counter-reformation defended the stronghold of Latin. There occurred a
coalition between Protestantism and print capitalism owing to Martin Luther’s
central effort in making his theses available in print form and in German
language to a very large reading public.
Anderson
views the slow, geographically uneven, spread of particular vernaculars as
instruments of administrative centralization by certain “would-be” monarchs as
the third cause of rise of national consciousness. This discouraged the
monopoly and religious authority of a single language like Latin and it never
had a true political analogue. Anderson suggests that the birth of
administrative vernaculars, at least initially, must be considered as an
independent factor in the sweeping away of the sacred imagined community. He
provides the trajectory of use and dominance of vernacular languages in England
and Seine and infers that “[i]n every instance the ‘choice’ of language appears
as a gradual, unselfconscious, pragmatic, not to say haphazard development” (Anderson 260) . It was unlike the
selfconscious language policies pursued by nineteenth century dynasts which
confronted hostile popular linguistic-nationalism. Anyhow, Anderson argues
that, the elevation of these vernaculars to the status of language-of-power made
its contribution to the decline of the imagined community of Christendom.
Anderson
argues that the interaction between a system of production and productive
relations (capitalism), a technology of communications (print), and the fatality
of human linguistic diversity made the new communities imaginable in a positive
sense of it. Earlier, capitalism had to confront adversaries in the form of
absence of linguistic unification but soon both capitalism and print created
monoglot mass reading public. It is the interplay between fatality, technology,
and capitalism which altogether led to irremediable linguistic diversity. He
argues that there was nothing better than capitalism which could ‘assemble’
related vernaculars, within the limits imposed by grammars and syntaxes, to
mechanically reproduce print-languages capable of dissemination through the
market.
According
to Anderson, the print-languages laid the bases for national consciousness in
three ways. Firstly, they created unified fields of exchange and communication
and then gradually people began to notice thousands and millions of others
using and communicating using their same language. And at the end, those
thousands and millions of people felt belonged since through these print
languages, actually, they were communicating with one another. Anderson says
that it is those fellow readers who formed the embryo of the nationally
imagined community in their secular, particular, and visible invisibility.
Secondly, print-capitalism gave a new fixity to language which in the long run,
helped to build that image of antiquity so central to the subjective idea of
the nation. It helped create standards and build an image of antiquity. Thirdly,
print-capitalism created languages-of-power which Anderson says different from
the older administrative vernaculars. Those dialects ‘closer’ to print-language
sustained its final form and other languages lost their ‘caste’.
Anderson,
following these arguments concludes that the convergence of capitalism and
print technology on the fatal diversity of human language created the
possibility of a new form of imagined community, which set the stage for the
modern nation. The notion of imagined
community, certainly, reminds certain literary works such as Amitav Ghosh’s Shadow
Lines, which attempts to bring forth tension created in the human minds due
to forceful divisions of people on the basis of ‘imagined’ boundaries or those
shadow lines. Many of the partition novels or other such genres do impart similar
tensions surrounding an ‘imagined community’. The ongoing wars which are
inseparably linked with giant marketing strategies do shakes the preconceived
ideas on nationalism, patriotism, and brotherhood and to view them objectively.
The
idea of imagined community has given ample exploratory scope and Homi Bhabha
builds on this influential concept and stresses how nationality is narratively
produced, rather than arising from an intrinsic essence. But, it has been
criticized by postcolonial theorists. Encyclopedia Britannica states that they contend that using the prism of nationalism to
study the history of colonized countries is to conflate the experience of the
elite or bourgeoisie with that of the people as a whole. It also provides the
postcolonial theorist Partha Chatterjee’s views on Anderson’s proposals. He
rejected Anderson’s representation of nationalism as the creation of creole
pioneers and argued that nationalism was an ideology imposed by the colonizing
power such that “even our imaginations must forever remain colonized”. It
states that apart from gaining share from critics, his work has been valued by
many others as a groundbreaking contribution to a non-Eurocentric study of
world history and nationalism (Munro).
Though
Anderson claimed nation as an imagined community he certainly points out that
such imagining is strictly delimited. This delimitation describes the
boundaries of the nation- who is in, who is out- but in doing so it also
signals a limitation of what the nation as imagined community can contain. So
the nation operates through a process of exclusion, not only of those who are
outside it, but also of those aspects of its members that cannot be readily
encompassed by description in terms of national identity (Carr-West 81) . Even within a particular community the
members do exhibit certain features which in itself lie beyond the essential
needs of its composition during its process of formation. The idea of ‘imagined
community’ can be taken to even social units such as a particular caste-based
community. A group of people begin to evolve certain sorts of values and
principles and even a boundary through which it tries to create assert a
‘unified’ identity which is ultimately an ‘imagined’ one. But through this
process there is, definitely, a chance for the practice of exclusionary
politics which, in a way, may create a sense of absence of ‘belongingness’. The
conceptualization of Tulunadu, which got intensified and still continuing, following
the partition of earlier Madras presidency based on linguistic predominance, is
said to be the part of an act of ‘imagining’ a new community of people sharing
common interests.
The
audience of television channels is also an ‘imagined’ community with certain
shared tastes which was the construct of media and telecasts news,
entertainment programmes and sports which is again an ‘imagined’ one. On the
contrary, the celebrity folk do becomes an ‘imagined’ community but here, in
both cases imagined community is there. In Diaspora writings too we may come
across similar sense of alienation, nostalgia, intense feeling of going ‘home’
back etc. which exhibits the deeply embedded patterns of thought and related
emotions created in one’s own mind about his ‘homeland’ which is certainly an
imagined community. In a sense, human interactions seem like mere abstractions
of what people conceive as real or concrete. The exploitative capitalist
manipulation of nationalistic idea may bring hostility among people but the idea
of nation, however, sounds better than any of the past forms of
administrations; religious or dynastic. Renan states that “[n]ations are not eternal… They
have a beginning and they will have an end. At the present moment, the
existence of nations is a good and even necessary thing. Their existence is the
guarantee of liberty, a liberty that would be lost if the world had only one
law and one master (Renan) . However, Partha Chatterjee criticizes
Anderson’s propositions of imagined communities by highlighting two aspects as
erroneous. He states that Anderson focuses on the material, outside domain of
the state and ignores the spiritual, inside domain. His concept of nationalism
is “modular” since it was developed in Europe and United States. It was then
got adopted by the colonies leaving nothing for the colonies to ‘imagine’. The
modern west, according to him propagated ‘modular’ forms of national society
and it is not true in the case of Asia and Africa and it’s nationalist
imagination.. He observes that the history of nationalism or what he terms,
nationalism’s autobiography is fundamentally flawed (Chatterjee 217).
Anderson’s attempt to explore the ‘cultural artifacts’ has
gained several critical acclaims and the discourse has paved the way for the
critical understanding of the notions. Nationalism, which had been projected as
a grand narrative of history of sacrifice for the freedom of nation, emergence and
celebration of related concepts such as patriotism, brotherhood certainly turn
out to be in need of further critical study. We understand that nation cannot
be understood as having a singular meaning but as gaining plurality as per the
socio-cultural context in which it takes birth and form.
Bibliography
Anderson, Benedict.
"Imagined Communities: Nationalism’s Cultural Roots” . Imagined Communities: Reflections on the
Origin and Spread of Nationalism. London: Verso, 2006. 253-263.
Carr-West, Jonathan.
"The Hybridity of Post-Colonial Literature." Francophone
Post-Colonial Cultures: Critical
Essays (2003): 81-84.
Foo, Cynthia.
"Interview with Benedict Anderson." Invisible Culture (2009).
Munro, Andre. “Benedict Anderson: Irish Political Scientist”. Encyclopedia Britannica,
2015. Web. 10 Oct. 2015.
Renan, Ernest. "What is
a Nation?" Ernest Renan. Paris: Presses-Pocket, 1992. 11.
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